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| Margarethe Danzi (1768-1800) |
|
1* |
|
Variationen f-moll
(2. Satz der Klaviersonate F-Dur op. 3 von Franz
Danzi) |
|
5'11'' |
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| Maria Szymanowska
(1789-1831) |
|
2 |
|
Polonaise
f-moll |
|
2'42'' |
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3 |
|
Nocturne B-Dur |
|
4'48'' |
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| Fanny Hensel |
|
4* |
|
Andante E-Dur (1821) |
|
5'38'' |
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| (1805-1847) |
|
5* |
|
Presto
a-moll (1829) |
|
2'05'' |
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|
6* |
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Allegro di molto e-moll
(1844) |
|
2'42'' |
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|
7* |
|
Adagio Es-Dur Intermezzo
c-moll (1840/43) |
|
6'46'' |
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8* |
|
Introduction und Capriccio h-moll
(1840) |
|
6'11'' |
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| Clara Schumann |
|
9 |
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Impromptu
E-Dur |
|
3'06'' |
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| (1819-1896) |
|
10 |
|
"Geheimes Flüstern"
op. 23, Nr. 3, für Klavier bearbeitet von Franz
Liszt |
|
3'11'' |
|
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| Pauline Viardot
(1821-1910) |
|
11* |
|
Gavotte G-Dur |
|
3'11'' |
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| Marfa Sabinina |
|
12* |
|
Romanze cis-moll |
|
2'09'' |
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| (1831-1892) |
|
13* |
|
Nocturne Des-Dur |
|
2'49'' |
|
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| |
|
14* |
|
Valse E-Dur aus
"Portraits musicales - Onze Pièces
de Salon" op. 5 |
|
2'46'' |
|
|
| Anna Weiss (1833-1909) |
|
15* |
|
Improvvisata b-moll |
|
4'29'' |
|
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| Ilse Fromm-Michaels |
|
|
|
"Vier Puppen - Vier
kleine Stücke" op. 4 |
|
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| (1888-1986) |
|
16* |
|
"Der Holzsoldat" |
|
1'22'' |
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| |
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17* |
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"Der Hampelmann" |
|
53'' |
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18* |
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"Das Puppenmädchen" |
|
1'15'' |
|
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| |
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19* |
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"Der
Harlekin" |
|
1'08'' |
|
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| Germaine Tailleferre |
|
|
|
Deux Pièces pour Piano |
|
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| (1892-1983) |
|
20* |
|
Larghetto |
|
3'26'' |
|
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| |
|
21* |
|
Valse
lente |
|
2'04'' |
|
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| Marcelle Soulage |
|
22* |
|
Improvisation sur un thème
de Vincent d'Indy op. 41 |
|
2'41'' |
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| (1894-1970) |
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_____ |
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* |
|
Ersteinspielungen |
|
71'23'' |
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