| |
|
|
|
|
|
|
|
| Margarethe Danzi |
|
1* |
|
Variationen f-moll |
|
5'11'' |
|
| (1768-1800) |
|
|
|
(2. Satz der Klaviersonate F-Dur op. 3 von Franz Danzi) |
|
|
|
| |
|
|
|
|
|
|
|
| Maria Szymanowska |
|
2 |
|
Polonaise f-moll |
|
2'42'' |
|
| (1789-1831) |
|
3 |
|
Nocturne B-Dur |
|
4'48'' |
|
| |
|
|
|
|
|
|
|
| Fanny Hensel |
|
4* |
|
Andante E-Dur (1821) |
|
5'38'' |
|
| (1805-1847) |
|
5* |
|
Presto a-moll (1829) |
|
2'05'' |
|
| |
|
6* |
|
Allegro di molto e-moll (1844) |
|
2'42'' |
|
| |
|
7* |
|
Adagio Es-Dur Intermezzo c-moll (1840/43) |
|
6'46'' |
|
| |
|
8* |
|
Introduction und Capriccio h-moll (1840) |
|
6'11'' |
|
| |
|
|
|
|
|
|
|
| Clara Schumann |
|
9 |
|
Impromptu E-Dur |
|
3'06'' |
|
| (1819-1896) |
|
10 |
|
"Geheimes Flüstern" op. 23, Nr. 3, für Klavier bearbeitet von Franz Liszt |
|
3'11'' |
|
| |
|
|
|
|
|
|
|
| Pauline Viardot |
|
11* |
|
Gavotte G-Dur |
|
3'11'' |
|
| (1821-1910) |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| Marfa Sabinina |
|
12* |
|
Romanze cis-moll |
|
2'09'' |
|
| (1831-1892) |
|
13* |
|
Nocturne Des-Dur |
|
2'49'' |
|
| |
|
14* |
|
Valse E-Dur aus "Portraits musicales - Onze Pièces de Salon" op. 5 |
|
2'46'' |
|
| |
|
|
|
|
|
|
|
| Anna Weiss |
|
15* |
|
Improvvisata b-moll |
|
4'29'' |
|
| (1833-1909) |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| Ilse Fromm-Michaels |
|
|
|
"Vier Puppen - Vier kleine Stücke" op. 4 |
|
|
|
| (1888-1986) |
|
16* |
|
"Der Holzsoldat" |
|
1'22'' |
|
| |
|
17* |
|
"Der Hampelmann" |
|
53'' |
|
| |
|
18* |
|
"Das Puppenmädchen" |
|
1'15'' |
|
| |
|
19* |
|
"Der Harlekin" |
|
1'08'' |
|
| |
|
|
|
|
|
|
|
| Germaine Tailleferre |
|
|
|
Deux Pièces pour Piano |
|
|
|
| (1892-1983) |
|
20* |
|
Larghetto |
|
3'26'' |
|
| |
|
21* |
|
Valse lente |
|
2'04'' |
|
| |
|
|
|
|
|
|
|
| Marcelle Soulage |
|
22* |
|
Improvisation sur un thème de Vincent d'Indy |
|
2'41'' |
|
| (1894-1970) |
|
|
|
op. 41 |
|
|
|
| |
|
|
|
|
|
_____ |
|
| |
|
|
|
Gesamtspieldauer |
|
71'23'' |
|
| |
|
* |
|
Ersteinspielungen |
|
|
|
CD-Kritik über Klavierwerke von Sontraud Speidel, veröffentlicht im Fono Forum
Interpretation von Komponistinnen aus drei Jahrhunderten: Frauenmusik - Pianonews
|